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Shandong Province, late C 18th
Dimensions: | W:57 D:45 H:95.5 (cm) |
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Reference: | CH195 |
£1,575
In remarkable condition with original lacquer, this C18th chair is designed to be appreciated in the round, it’s signature feature the beautiful continuous curvilinear crest rail.
The chair was built with vernacular strength to withstand the harsh weather of Shandong Province, and the wonderfully tactile original protective lacquer is crackled in parts consistent with age.
It is a particularly good example of the chair that inspired Hans Wegner’s China Chair, which has been in production since the 1940’s, itself an icon of modern furniture.
The curved back splat tenons into the seat frame and crest rail, which is thicker at the top for support.
The rear stiles are rounded, curving elegantly forward at the top before being tenoned into the crest rail. These stiles descend through the seat frame, becoming the back legs.
This curvilinear form continues with curved rounded front posts continuing into the seat frame and becoming the front legs. Supporting posts are also curved.
The apron features floral carving, while under the seat itself the legs are rounded on the outside, echoing the curves of the upper half of the chair, and squared on the inside to better hold tenoned stretchers and aprons. The rattan for the seat is new.
…the form that inspired Hans Wegner’s China Chair…
Over many years I have found Sharon’s treasure trove of Chinese furniture a wonderful insight into China’s history and heritage. Each piece tells a story of bygone days and I only wish I had more space to accommodate even more items.
We are absolutely delighted with the our tall red lacquered leather Chinese hat-box we purchased from Sharon Fitzsimmons. We were looking for an interesting and unusual piece, and this absolutely fits the brief. The quality, colour and size are perfect for our needs, both in appearance and as a useful side-table. Not only that, but we have an interesting talking point for our guests!
I have a modern house and the clean lines of antique Chinese furniture suit it very well. The occasional red lacquer piece looks striking, such as a coffer I use as a sideboard in my dining area. I particularly love a pair of narrow, columnar walnut Gansu cabinets and I think they will enhance a contemporary walnut dining table I am awaiting delivery. I like the visual interest of old wood and mixing old and new adds character to a decor.
We have a rigorous selection criteria that every late Qing Dysnasty (1644-1911) piece must meet: authenticity, rarity, originality, function and fine craftsmanship. The provenance varies but is mostly Shanxi Province, a region renowned for Qing furniture. We offer diversity, and styles range from classical to vernacular. Over the many years the true testimony of our selection process is that customers are more than satisfied, and are often repeat buyers, as pieces are consistently proven to enhance interiors.
Dedicated singlemindedness in carefully and painstakingly restoring every single antique, simple or complex, has resulted in a sympathetic conservation of antiques, pleasingly meeting customers satisfaction. Our restorers have an understanding of the original craftsman’s skills such as joinery, lacquering, carving, painting and other age old carpentry ways. Each restoration is done by experienced and skilled craftsmen with great attention to detail. On completion each piece is a stand alone form, with presence, integrity and artistic personality.
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