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Shanxi Province, early C20th
Dimensions: | W:57 D:44 H:118 (cm) |
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Reference: | CH192 |
£1,125 Pair
The classic design of these chairs evolved from the restrained austerity of Ming style, creating a form that is more contemporary, with broader shaped and curved crest rail.
In an elegant variation of the conventional yoke back armchair, in which the crest rail and arms normally protrude beyond their supporting posts, the crest rail and arms flow continuously into the back and front posts. This is achieved by the technically difficult rounded right angle mortise and tenon joint, or pipe joint.
The execution of the chairs is therefore testament to both Chinese visual aesthetics and extraordinary carpentry skill, the combination of which creates an impressive three-dimensional form with real architectural presence.
The wonderful grain of the elm wood provides an almost decorative effect. Restoration removed the original worn lacquer thereby revealing the visually intriguing grain.
…wonderful fluidity of line and form…
Over many years I have found Sharon’s treasure trove of Chinese furniture a wonderful insight into China’s history and heritage. Each piece tells a story of bygone days and I only wish I had more space to accommodate even more items.
We are absolutely delighted with the our tall red lacquered leather Chinese hat-box we purchased from Sharon Fitzsimmons. We were looking for an interesting and unusual piece, and this absolutely fits the brief. The quality, colour and size are perfect for our needs, both in appearance and as a useful side-table. Not only that, but we have an interesting talking point for our guests!
I have a modern house and the clean lines of antique Chinese furniture suit it very well. The occasional red lacquer piece looks striking, such as a coffer I use as a sideboard in my dining area. I particularly love a pair of narrow, columnar walnut Gansu cabinets and I think they will enhance a contemporary walnut dining table I am awaiting delivery. I like the visual interest of old wood and mixing old and new adds character to a decor.
We have a rigorous selection criteria that every late Qing Dysnasty (1644-1911) piece must meet: authenticity, rarity, originality, function and fine craftsmanship. The provenance varies but is mostly Shanxi Province, a region renowned for Qing furniture. We offer diversity, and styles range from classical to vernacular. Over the many years the true testimony of our selection process is that customers are more than satisfied, and are often repeat buyers, as pieces are consistently proven to enhance interiors.
Dedicated singlemindedness in carefully and painstakingly restoring every single antique, simple or complex, has resulted in a sympathetic conservation of antiques, pleasingly meeting customers satisfaction. Our restorers have an understanding of the original craftsman’s skills such as joinery, lacquering, carving, painting and other age old carpentry ways. Each restoration is done by experienced and skilled craftsmen with great attention to detail. On completion each piece is a stand alone form, with presence, integrity and artistic personality.
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