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Shanxi Province, early C20th
Dimensions: | W:36.5 D:21 H:7 (cm) |
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Reference: | T343A |
£395
An elegantly carved hualimu (rosewood) Ming style display stand with scroll shaped ends, which was originally used as a platform for art or desk objects and its scroll shape is symbolic of learning.
The visual design is an open scroll placed upside down. The scroll shape is symbolically associated with the scholar, the elite governing class of imperial China. Scrolls were used for calligraphy and painting by scholars, the two art forms that represented the pinnacle of scholarship and knowledge.
It is carved from a single block of wood, a considerable feat of carpentry and sculpture, creating a flawless and beautiful form. The grain of the well hued rose wood is continuous throughout the piece, adding intriguing visual patterns with superb patina.
…simplicity, elegance and charm that appealed to the scholar…
Over many years I have found Sharon’s treasure trove of Chinese furniture a wonderful insight into China’s history and heritage. Each piece tells a story of bygone days and I only wish I had more space to accommodate even more items.
We are absolutely delighted with the our tall red lacquered leather Chinese hat-box we purchased from Sharon Fitzsimmons. We were looking for an interesting and unusual piece, and this absolutely fits the brief. The quality, colour and size are perfect for our needs, both in appearance and as a useful side-table. Not only that, but we have an interesting talking point for our guests!
I have a modern house and the clean lines of antique Chinese furniture suit it very well. The occasional red lacquer piece looks striking, such as a coffer I use as a sideboard in my dining area. I particularly love a pair of narrow, columnar walnut Gansu cabinets and I think they will enhance a contemporary walnut dining table I am awaiting delivery. I like the visual interest of old wood and mixing old and new adds character to a decor.
We have a rigorous selection criteria that every late Qing Dysnasty (1644-1911) piece must meet: authenticity, rarity, originality, function and fine craftsmanship. The provenance varies but is mostly Shanxi Province, a region renowned for Qing furniture. We offer diversity, and styles range from classical to vernacular. Over the many years the true testimony of our selection process is that customers are more than satisfied, and are often repeat buyers, as pieces are consistently proven to enhance interiors.
Dedicated singlemindedness in carefully and painstakingly restoring every single antique, simple or complex, has resulted in a sympathetic conservation of antiques, pleasingly meeting customers satisfaction. Our restorers have an understanding of the original craftsman’s skills such as joinery, lacquering, carving, painting and other age old carpentry ways. Each restoration is done by experienced and skilled craftsmen with great attention to detail. On completion each piece is a stand alone form, with presence, integrity and artistic personality.
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